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Not really appropriate for this blog, but I’m pretty lazy about updating my art-only one: Paivi and I were juried into (along with many other talented local photographers) the DCist Exposed show this year and the opening is Saturday, March 6. Come see it, if you’re in town and free. My selected photo was:
Official press release follows:
Washington, DC — DCist.com is pleased to announce its fourth annual DCist Exposed Photography Show, at Long View Gallery, running March 6 to 21, 2010. Out of over 1,000 individual entries submitted through Flickr.com, 47 winning images were selected by a panel of judges to be included in this year’s DCist Exposed exhibit. DCist.com prides itself on engaging and promoting emerging local photographers through its daily use of images from the popular, reader-generated DCist Flickr photo pool. Each day, DCist.com selects photos from the pool for use in its daily coverage of local news, arts and entertainment, food and sports.
This year’s opening reception will be bigger and better than ever, to be held Saturday, March 6, 2010 from 6 to 10 p.m. At the bar, mixologist Scott Palmer from Dino will have a special punch, Leopold Brothers will host a liquor tasting, and Pabst Blue Ribbon will hold down the fort with plenty of beer. Nage will provide hor’dourves, while DJs v:shal kanwar and Sequoia spin tunes. Reception is $5 per guest at the door.
Long View Gallery is located at 1234 9th St. NW, just a few blocks from the Mt. Vernon/Convention Center Metro. The 2009 DCist Exposed event welcomed over 1,000 people on opening night, and with this even larger venue, we expect our biggest crowd ever. All photographs selected and displayed at DCist Exposed will be for sale at prices well below traditional gallery shows. Regular gallery hours are Wednesday-Saturday, 11 a.m. to 6 p.m., and Sunday, 12 to 5 p.m.
Paivi and I have a number of pictures up at DC9 from November 15 – November 22 as part of PixTour, which is part of Fotoweek. I wasn’t sure what or how many pictures to put up, but when I was talking to the Bill (the owner/manager?) I noticed that the 7 big mirrors provided the only really clear space, so I put 2-3 up per mirror. There are 3 “sets” of mine up – “Picture of a Picture” (suggested by Heather), “Doll Angst” (a set of suicidal blondes), and “Misc” (just a few that seemed to fit together) in the back.
These were my final selections:
Paivi put up some of her BritishInk pics from Artomatic (hers was more last minute than mine since her original venue, Bar Pilar, fell through. Too bad!)
PixTour: a project of FotoWeek DC 2008
Travel the city to check out PIX TOUR.
PixTour, a project of FotoWeek DC 2008, is showing the work of
area photographers at 40 bars, clubs, restaurants, theaters, and
shops around DC. Artist and Place meet and invite you.
PixTour brings art to the people who are out and about.
Take a walk, have a drink and a meal, and see the art of photography in Dupont, Adams Morgan, Columbia Heights, 14th Street, Anacostia and More. PixTour is an informal showing of photography on local walls and windows.
Curators: Molly Ruppert, Heather Goss, Beth Baldwin
PixTour was created as a project for Fotoweek DC 2008 by Molly Ruppert firstname.lastname@example.org and Warehouse.
DC9 1940 9th St NW
Nellie’s Sports Bar 900 U St NW
Vegetate 1414 9th St NW
Velvet Lounge 915 U St NW
Dos Gringos 3116 Mt Pleasant St NW
Gala Theatre 3333 14th St NW
Red Rocks Pizza 1036 Park Rd NW
Room 11 3234 11th St NW
Sticky Fingers Bakery 1370 Park Rd NW
Wonderland 1101 Kenyon St NW
Asylum 2471 18th St NW
Bedrock Billiards 1841 Columbia Rd NW
Bossa Bistro Lounge 2463 18th St NW
Chief Ike’s Mambo Room 1725 Columbia Rd NW
Idle Times Book Store 2467 18th St NW
Tryst 2459 18th St NW
Caramel 1603 U St NW
Lee’s Flowers and Cards 1026 U St NW
Mocha Hut 1301 U St NW
Polly’s Cafe 1342 U St NW
Solly’s u street tavern 1942 11th St NW
Vinoteca 1940 11th St NW
Cafe Tropé 2100 P St NW
DC Café 2035 P St NW
Soho Tea and Coffee 2150 P St NW
Stars Bistro 2120 P St NW
Tangysweet Yougurt Bar 2029 P St NW
Garden District 1801 14th St NW
Playbill Café 1409 14th St NW
Timothy Paul Bedding 1529A 14th St NW
Universal Gear 1529B 14th St NW
ARCH Training Center 1231 & 1227 Good Hope Rd SE
Baked and Wired 1052 Thomas Jefferson St NW
Big Bear Café 1700 First St NW
Mocha Ground 4706 14th St NW
Warehouse 1021 7th Street NW
Bridget Sue Lambert
Parikha Solanki Mehta
Pete Van Vleet
I’ve spammed this particular link everwhere else I can think of, but still neglected to post it here on my blog.
Basically, I was approached a few months ago by a senior editor of Symantec’s online magazine “Norton Today” because they were interested in doing a piece on Art and Security. I was approached because of my old work in security data visualization and the fact that’d I’d started to rework and hang the pieces in art shows like Artomatic and My Space on 7th.
Anyway, the interview went really well (in addition to being a lot of fun) and it’s now online at:
(Edit: This link now appears down after a few months. Symantec has republished the article here: http://www.thegeekweekly.com/feature/turning_computer_vis_into_art/index.html )
They used a few older images in their Flash slideshow (My fault – I didnt get them newer images in time). These were the originals we used at NetSec to do analysis and which have been in a number of presentations (and were in the batch I sent to ArcSight as examples when they were still developing Interactive Discovery, iirc).
You can find the “art” versions that I’ve hung up in galleries at the following link:
I’m still interested in working more of these, but have been moving from graphing – which was a necessity of the business at the time – into a broader field of ontological information/concept representation in art.
(This is in addition to my media experimentation with / interest in projection. I think Id like to merge these two tracks together in the future, but havent gotten there yet.)
I’m going to be showing some data visualizations at the My Space on 7th art show in Washington, DC starting Friday, July 11 at the Touchstone Gallery! Everyone should come out. I took a look at the space and there’s some interesting work hanging already. (And I have to thank Paige, here, who unintentionally helped me decide what to show…but more on that in a later post.)
Oh. And there will be wine tasting opening night. :)
There will be three old, but reworked images and one new one created just for this show. Only one has ever been printed before and they all look pretty fantastic.
The new one consists of two superimposed graphs (a paraplot and a scatterplot) of illegitimate traffic going to/from “jackwhitsitt.com” (that would be, uh, most of it).
The three older ones are:
Destination Port Traffic Volume (global sample)
(Test Data from custom developed SEM correlation modules)
(Pcap data from 10,000 spam emails)
Last night was the opening of J. Coleman‘s exhibit at Art Whino entitled “A Dream Remembered, An Endless Pause”. While I enjoyed his style and some individual pieces of his (and the overall Art Whino space is fabulous), I found that I couldn’t connect with most of it. After some consideration, I’ve come to realize it’ s the “football eyes” he uses to depict human faces and that I have the same feeling of “meh” about other artworks that do the same thing.
What is a human face without eyes? So much of who we are exists in them that to abstract them to the level of “footballs” is, to use a bad pun, a bit of a punt. I’ve been told:
“Well, everyone isn’t into realism.” Fine – that’s a perfectly valid perspective. But what’s the point of depicting a face at all then? Some animals have “spots” on them that are supposed to make others think they’re “looking” at them. Do these spots depict the nose? No. The mouth? No. Ears? No. Simply giving the impression of “eyes” is sufficient, even in nature, for instinct to recognize “face”.
So, unless you’re intentionally removing the humanity from a piece of art (which I don’t believe is usually the case), why not use allegorical imagery instead? I’m honestly much more likely to feel a connection to an expressionist rendering of a monkey in a clown suit than I am a human face with football eyes. And, with the pieces where Coleman did use monkeys/apes, I thought he was much more successful.
Looking at the pictures in this post, just imagine how much more impact they’d have if even the faintest attempt was made to bring humanity into the eyes.
More on the Art Whino space later, just wanted to get these thoughts out first.